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« Les salauds vont en enfer » : mieux vaut (Frédéric) Dard que jamais

Dans ce huis clos entre deux taulards, on est dans un Dard méconnu. On oublie la truculence du dynamiteur de style, pour la sobriété d’un héritier de Simenon et de Boileau-Narcejac. ★★★★☆


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